Over a year of writing, cutting and proto-typing later, comes Tree of Codes, a haunting new story by Jonathan Safran Foer cut from Bruno Schulz’s words.
The book is as much a sculptural object as it is a work of masterful storytelling: here is an “enormous last day of life” that looks like it feels.
(must-have)
Sometimes you see art - and you say “yes!” (or at least I do)
And so: Peter Callesen paper art extraordinaire
All in All, 2006
Acid free A4 115 gsm paper and glue
(From cradle to grave)
Hanging Image, 2008
139 x 107 x 13 cm.
Water colour and pencil on 120 gsm acid free paper, glue, and oak frame
Alive, but Dead, 2006
127 x 94 x 11,5 cm.
Acid Free paper, glue, acrylic paint, and oak frame 
I always have the feeling of everything being empty, a shadow, perhaps even a Platonic shadow - that the most perfect image exists in another reality. And somehow the feeing is captured by Callesen.
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